Monday, March 1, 2010
What’s in a Name?
Tuesday, February 23, 2010
Stand up -- On making it the performance of your life
A smile once again comes over your face. You're still waiting for the day where this gets old for you, but it hasn't happened yet. You're still as fresh as when you first started this glorious work. As you lean into the mic and say the first words that start the ball rolling, you imagine the thrill of those people on the receiving end of your latest hilarious musing. You pause before you speak, knowing the joy your slanted view of reality will stir within their souls.
"Can I take your order please?"
You know you delivered! You know you nailed it! Sometimes the temptation to talk during the silence is strong, but you know the seasoned vet will wait. You gotta say it like you mean it or they don't believe in you, they won't have confidence in you and you might as well pack it in. You've lost the battle. You wait for the reaction with professional confidence -- and then it comes.
"Yeah. I'll have a number 3 combo with a coke."
Yes! There it is! You've hooked 'em now. Now they are yours! This is going to be one of those performances that they'll remember their whole lives. You know they'll be telling their friends to come see you as they try to imitate you around the water cooler the next day in an attempt to vicariously be like you. Now that you have then right where you want them, you deliver the next punch.
"Would that be medium or large?"
You know you're just baiting them now. This is one of those sure lines that get them every time. Never fails. You know what's coming next.
"Large"
Now you bring them home. They're actually depending on you now. You've brought them to the desert, and they need you to take them to the promised land. They have come to you, laying down their hard earned money, wanting you to take them away from their troubles, their daily, dreary lives for a moment. You don't disappoint them. You now show them why they have come to trust you time after time to be their savior.
"We'll have your total at the window. Please pull around."
It's time for the afterglow. They want to meet you now. See you up close. They may not ask for your autograph or to have a picture taken with you because they are sometimes in awe of you or they're too shy. But you know they want to be near you. You are gracious and charming. You try to make them feel comfortable and give them a moment they will tell their grandchildren about. You make yourself available to pose for pictures if they ask. You know they will one day realize they saw the performance of your life. Little do they know that you have put it upon yourself to never give them anything less.
Tuesday, December 15, 2009
On Moving Forward
Some people describe life as a river; that you go with the flow, the river takes you downstream, sometimes there are rough waters and other times it’s a gentle current. Blah, blah, blah. My experience is if life is a river, then you’re swimming upstream. In order to make any progress, you have to swim hard and fast. Take a rest, and you move backward. Eventually, it is inevitable that you’re going to drown. But that’s just the nature of the beast.
At this point, some may simply say I’m swimming the wrong way; that if I just relax and let the river take me downstream, there’s something lovely waiting for me that I was destined for. We can take nature as a cue on this and see that everything has a way of balancing itself out. The ultimate design is actually perfect and we each have a place. And some of us get eaten for dinner.
I don’t think those who know me would think of me as a negative person. To the contrary, I’m pretty sure most would say I’m positive. So, this viewpoint of a difficult struggle in life and the extraordinary effort it takes to succeed may not seem consistent with positivity. But the viewpoint is based in my experience. Nothing has ever been easy for me. The orientation of having muscular dystrophy all my life probably has something to do with that viewpoint. (I will be writing about this much more in the future). Nevertheless, it’s my experience. Life isn’t easy. You have to make an effort to get to where you want to go, otherwise you drift where life takes you. This comes down to the question we all must ask ourselves: “Is our life a matter of choice or is it predetermined?” In case you haven’t figured it out yet, I’ve decided I have a choice in life.
So, as I undertake this current project of advancing a stand up comedy career to the next level, what ever that may be, I understand that I can’t just stay in my house, watch reruns of Golden Girls, eat potato chips, and “let the river of life take me where it wants to”. I want things to move forward. I want to get somewhere. Somewhere closer to success than I am right now. In order to do that, I do what I heard a wise person once say, “I get up each day, report for life, then do the next indicated thing.”
Today’s activity started with this blog. But I also made a booking for the tour and exchanged emails and phone calls with other comics, friends of comedy, and others regarding these plans. I updated my Facebook and Twitter status and got back with people who acknowledged me as best as I could. Here’s what I noticed; things are starting to happen. Who knew?
I want to give a quick shout out to a new comic friend Dave Robinson who wrote about me in his blog. Active comics eventually run into each other in the river rapids of life and I knew of Dave from Twitter. Though we really didn’t talk much, we exchanged a few jokes across the ether. I regarded him as an experienced and funny guy. He seems to also be on a similar journey and I just wanted to thank him for giving me some attention and a lift. Anyone who has something called "Davewear" can't be all bad.
You move forward. That’s all. You take your best shot with the resources you have at hand. You may not even have the resources of the person next to you, but if you apply yourself with a little more passion, ingenuity, and excitement, you can make some progress.
I’m swimming as hard as I can.
Ultimately Stand Up Boils Down to a Mic and Mouth
Monday, December 14, 2009
My Brain
Stu Baker's Brain
Sunday, December 13, 2009
Edginess and Taking Risks
The last time I had a month break from school, I felt the freedom of not having so much schoolwork hanging over my head and I felt like I accomplished a lot with my comedy. This time Christmas is on its way and after this first week, I can already tell it’s going to be more difficult to keep focused on stand up. I have a list of things I’m going to focus on and I’ll get something done I’m sure, but I can already feel the next class coming up on the horizon. It will be my last class though, so the temporary feeling of freedom I have now will soon become more permanent.
I have a show this Saturday at a VFW in Coolidge. While this may not seem like the ideal environment for stand up, the guy who puts the show together has been successful at creating decent comedy events where the people come out to see a good comedy show. A couple comic friends of mine said they had a good time at the show when they did it because the crowd really seemed into it. So, I’m looking forward to it. I also get to headline, so I’m looking over my material to see if I am going to rearrange things a bit or stick with the one-hour format I’ve been working from for the past year. I do have some new material, but a lot of the new stuff I’ve been working on might be too edgy for this crowd. I can’t be too sure until I get there and survey the audience. Still my instincts tell me if I want to connect with them, I should steer clear of some of the stuff I’ve develop over the last year.
Part of the reason my most recent material is so edgy is because I’ve been writing and working things out in the context of the room I often work in, the Hidden House in Phoenix. Hidden House is a weekly show where most of the best comics in the area come out regularly. It’s a small room that has a capacity of only 50 or so people. The room is almost always packed (often over capacity) with a crowd of people who are there to see a good night of stand up. There is a fair amount of turnover in the audience but if you perform regularly, or even semi-regularly as I do, you need to come up with some new stuff to keep performing there or the crowd will tire of you somewhat. There is a small group of comics who produce the show and go up every week. Beyond that, there is a secondary lineup of the semi-regulars who fill out the experienced portion of the line up. But they also let newcomers and less experienced comics go up which gives a good perspective on how hard comedy really is and how good the good comics are. Sometimes, these newcomers surprise everyone and have a good set. This is more often the case than I like to admit because it sometimes makes me wonder how far I’ve really come when a comic can get up who has only done maybe 10 or 12 shows and do as well as, or better than, me. This is when I remind myself that comparisons with others are not really the best way to improve in comedy. When I compare myself with how I was when I first started, I know I am a lot better. That’s all that should really matter.
The edginess that seems to work at Hidden House is sometimes based in explicit language or topics. You can imagine that references to body parts and sexual acts get an easy laugh. Edgy material is not necessarily blue. However, it does tend to be surprising and it tests boundaries. Blue material often does this but these days, it is so common that unless you have an original approach to it, you’re not treading any new ground and you can come across looking like a hack.
Edginess is more than that. It’s more of an attitudinal thing. The best comics I observe there have a kind of detachment from the actual effect they expect from the room. That is not to say they don’t care about the room or if anyone laughs. To the contrary, they all know if they don’t get laughs there are essentially bombing. But many of the comics working material out know that you have to take chances to get better. You have to try new jokes or new ways to do old ones. You pick topics no one is talking about or you talk about old topics in new ways. To do that on a regular basis, the best comics seem one step removed from the whether a particular joke works in a particular moment. So this overall attitude of “OK. You didn’t like that, here’s something else”, prevails. They don’t crumble or get flustered. Perhaps another way of stating it is that these comics have confidence or that they come from experience. But these terms don’t quite describe this process of experimenting with the right orientation, this air of detachment to results.
One thing I’ve learned about comedy that has applications to life in general is that to improve at something, you have to be willing to take chances. This carries with it the fact that from time-to-time you will fail, otherwise, it wouldn’t really be considered a risk. This sets up an interesting combination of competing goals when doing comedy on any given night. While we all want to do well – to “slay” and “destroy” in the dramatic and violent vernacular of the comic (which I will discuss later) – we must also experiment and take chances. Since taking chances means we will sometimes fail, we weigh each night and measure our prepared material against the situation (the audience, venue, management. etc.) and make decisions about whether we are going to construct a set of so-called “A” material to create the best result we can, or are we going to mix in new stuff and see how it goes. Or, perhaps we even improv moments to see where they will go and see if we can create a one-of-a-kind memorable moment. Each comic comes to a decision on these variables each night whether they aware they of it or not.
For me, I need to feel I am growing in some way. I take each opportunity to perform seriously. I feel like I need to either perform my usual material better in some way, or find a new joke within the structure of a bit, or run some new material. One night I did a 10-minute set in front of an audience that had never seen me before. I chose a set of jokes I was completely comfortable with and was very familiar with. For me, it was a “safe” set. I got a good reaction but I wasn’t very happy when I got off stage. I felt like I phoned it in and was not really in the moment. I was performing for the crowd, but not interacting with them much. I was telling jokes and getting laughs but I was not really taking any risks. The set lacked the kind of spark I look forward to as an indication I am growing in some way. I decided that night that playing it safe was not the reason I got into stand up. You don't get up in front of group of people to try to make them laugh if you like to play it safe.
So, taking risks in style, performance or material is key to growth and perhaps why stand up can be so satisfying. It has been said that stand up comedy is the last soapbox. It is the last place one can get up in front of a group of people and say anything you want about any subject. Not only do you not have to be politically correct, you don’t even have to be correct. As long as you are getting laughs, you can keep talking. The very best comics in stand up history not only tested boundaries but also made us think. I believe the only way a comic gets to that point is to take risks.
A Passionate Set at Hidden House
Saturday, December 12, 2009
Cheeseburgers of Comedy

As I finish up this year, I’m preparing to go on tour next year with some other comics. Myke Dehu and I have been on several road trips together and we met Chet Wild at Kyle Cease’s Stand Up Bootcamp this past year. Chet is a very funny comic who is also a hard worker and an idea guy. It’s hard for me to keep up with all the shows he’s doing back East He threw out the idea of going on tour to the rest of the Boootcampers and I responded since I was planning to tour too. We kept the conversations going and now the conversations have turned into plans and goals. We plan to do some shows back East, some in the Midwest, and eventually the West Coast including Seattle down to LA. Other Bootcampers will also go with us for different legs of the tour. Eventually, there will be several other comics including perhaps Bootcampers Dartanion London, Halli Borgfjord, or others. As well as many guest appearances from comics we have performed with over the years like Don Steinmetz, Shawna Whitlock, David Lew, Jimmy Shaw and Roy Brewster. Maybe even a few others we have met along the way! And ... maybe even some special guests!
The logo above is the concept we’re considering for the tour. Everyone knows that when a comedian is on tour, he or she eats a lot of cheeseburgers. We plan to find the best burger joints along the way and will seek out the best cheeseburger in every city we perform in. We’ll be putting up YouTube videos of our exploits doing comedy and eating burgers. Who could not love that?
Any comments would be welcome.
P.S. I like cheeseburgers.
Thursday, December 10, 2009
Finishing My Master's and Going on Tour in 2010
Myke and Me on Tour!I always thought that someday, I would go back to school and get my Master’s but going back to school seemed like a big commitment in time and money, and frankly, physical effort. University of Phoenix (UoP) offered a program online and I funded it with student loans. So, it fit all my criteria for getting my degree and I thought I could do it in my spare time since I am online frequently. It turned out to be harder and more consuming than I thought. However, after two years in the program, I am now only one class away.

